Brady Brickner-Wood is a writer and critic.
About
SELECTED WRITING
“The Epstein Scandal Has Reached the Far-Right Meme Stage” The New York Times Magazine
“ICE’s New-Age Propaganda” The New Yorker
“The Curious Notoriety of ‘Performative Reading’” The New Yorker
“Time Runs Out on Nico Harrison and the Dallas Mavericks” The New Yorker
“The Fiery Mania of Dijon’s ‘Baby’” The New Yorker
“Nobody Wins on ‘Surrounded’” The New Yorker
“Justin Bieber’s Messy, Improbable Masterpiece” The New Yorker
“What Happened to the Trump Resistance?” The New Yorker
“The Hollow Allure of Spotify Wrapped” The New Yorker
“How Drake Lost the Plot” The New Yorker
“Why Do Pop’s Biggest Stars Adore Michael Uzowuru?” The New York Times
“Hit Bottom” The New York Times Magazine
“In Praise of Unfinished Basements” The New York Times Magazine
FICTION
“The Good Life” Los Angeles Review of Books Quarterly
“Shrine Room” Bellevue Literary Review
“Doubting the Enterprise” Sonora Review and selected for inclusion in 2025 Best Small Fictions
“New Life from Dead Things" Quarterly West
“Forever You” McNeese Review
CRITICISM, ESSAYS, & JOURNALISM
Interview: Crudely Determined Assumptions
“How Bad Bunny Saved the Grammys” The New Yorker
“The Forecast Wars on Weather Twitter” The New Yorker
“Grok and the A.I. Porn Problem” The New Yorker
“Why Albums Drop and Movies Launch” The New Yorker
“Adam Friedland’s Comedy of Discomforts” The New Yorker
Shlohmo’s Repulsor, Pitchfork
“The Redemption of Chance the Rapper” The New Yorker
Podcast: “What Does It Mean to Resist Trump in 2025?" The New Yorker
“How Podcasts are Transforming the Presidential Election" The New Yorker
Derby’s Slugger Pitchfork
Twin Shadow’s GeorgiePitchfork
Bon Iver’s “Everything Is Peaceful Love” Pitchfork
Khari Lucas’ Take Off from MercyPitchfork
Bon Iver’s SABLE. Pitchfork
Role Model’s Kansas AnymorePitchfork
“The Hosts of Journalism’s Favorite Podcast Say Goodbye” The New York Times
2hollis’ boyPitchfork
How to Dress Well’s I Am Toward YouPitchfork
Mount Kimbie’s The Sunset Violent Pitchfork
Nourished by Time’s Catching ChickensPitchfork
1010Benja’s Ten TotalPitchfork
Mk.gee’s Two Star & the Dream PolicePitchfork
“Skip Shot” Victory Journal
dreamTX’s Living in Memory of Something SweetPitchfork
John Carroll Kirby’s BlowoutPitchfork
The Japanese House’s In the End It Always Does Pitchfork
“Balmorhea’s Music is Unbound From Space and Time—but Not Texas” Texas Monthly
“Brevin Kim’s Big, Bleeding Heart” Spin
Westerman’s An Inbuilt FaultPitchfork
James Ivy’s Everything Perfect Pitchfork
Sam Gendel’s CookupPitchfork
U.S. Girls’ Bless This Mess Pitchfork
“Jane Remover’s Outer Space” The FADER
“On Lil Yachty’s Psychedelic Pivot” GQ
“The Model Behind the Athleisure Label Friends With Animals” The New York Times
S.G. Lewis’ AudioLust & HigherLovePitchfork
Metro Boomin’s Heroes & VillainsPitchfork
Beatenberg’s On the Way to Beatenberg Pitchfork
“Brockhampton Breaks Up—Twice” Texas Monthly
Phoenix’s Alpha ZuluPitchfork
Hawa’s Hadja BangouraPitchfork
Dear Nora’s Human FuturePitchfork
Nick Hakim’s CometaP itchfork
The 1975’s Being Funny in a Foreign LanguagePitchfork
Kenny Beats’ Louie Pitchfork
Lean Years’ SidesPitchfork
“Why Bonnie’s Nostalgic Alt-Rock Searches for a Higher Meaning” Alternative Press
Tink’s Pillow TalkPitchfork
Art Moore’s Art MoorePitchfork
Day Wave’s Pastlife Pitchfork
Julien Baker’s B-SidesPitchfork
Sunday Review: Ja Rule’s Pain is LovePitchfork
“The Surprising Southern Dance Roots of Beyoncé’s Renaissance” Texas Monthly
Wet’s Pink RoomPitchfork
Logic’s Vinyl DaysPitchfork
“Drake’s Passionate, Calculated Love Affair with Houston” Texas Monthly
M Field’s Re: M FieldPitchfork
Tate McRae’s i used to think i could fly Pitchfork
Hovvdy’s Billboard for My Feeling Pitchfork
Hatchie’s Giving the World AwayPitchfork
Christian Alexander I Don’t Like YouPitchfork
BAYNK’s AdolescencePitchfork
midwxst’s better luck next timePitchfork
waveform*’s Last RoomPitchfork
Majid Jordan’s Wildest DreamsPitchfork
Hovvdy’s True LovePitchfork
Jonathan Franzen’s CrossroadsChicago Review of Books
“Searching for an American Epistemology in Lost in Summerland” Ploughshares
“Decoding the Silences in Gayl Jones’s Corregidora” Ploughshares
“Seeking Meaning and Survival in Something Wonderful” Ploughshares
Caleb Azumah Nelson’s Open Water Ploughshares
Joseph Andras’ Tomorrow They Won’t Dare to Murder Us Ploughshares
Emily St. John Mandel’s The Glass Hotel Ploughshares
Leonora Carrington’s The Hearing Trumpet Ploughshares
Emily Nemens’s The Cactus League Harvard Review
Bohumil Hrabal’s All My Cats Ploughshares
Ben Lerner's The Topeka School Porter House Review
“Look What You’ve Done: Recontextualizing Drake’s Take Care" Porter House Review
“Jenny Odell Discusses the Nature of Doing Nothing” Porter House Review